Project file

Life & Lens

Life & Lens

Life & Lens

I just love taking portrait photos. This page is a handful of my favorite shoots with friends over the years — no client, no brief, just good light and someone willing to stand in it.

I just love taking portrait photos. This page is a handful of my favorite shoots with friends over the years — no client, no brief, just good light and someone willing to stand in it.

I just love taking portrait photos. This page is a handful of my favorite shoots with friends over the years — no client, no brief, just good light and someone willing to stand in it.

Friends, mostly

Reno, NV

Portrait of a model on a motorcycle with light-painted steel wool sparks on a bridge at night

The story

Not every project here was a booking. Some of the best photos I've ever taken happened because a friend was in town, or up for something a little weird, and I had a camera and an idea. A motorcycle and a bag of lit steel wool on a train bridge. An abandoned, graffiti-covered overlook at golden hour. A river in a white dress at dusk. None of it paid the bills — all of it is why I still love doing this.

Not every project here was a booking. Some of the best photos I've ever taken happened because a friend was in town, or up for something a little weird, and I had a camera and an idea. A motorcycle and a bag of lit steel wool on a train bridge. An abandoned, graffiti-covered overlook at golden hour. A river in a white dress at dusk. None of it paid the bills — all of it is why I still love doing this.

There wasn't really a brief. The "challenge," if there was one, was talking a friend into standing somewhere cold, weird, or slightly dangerous for the sake of a photo — then actually getting the shot before we lost the light.

Whatever the friend and the evening called for. Sometimes that meant renting steel wool and finding a bridge with the right sightline; sometimes it meant walking into a field at golden hour with no plan at all. No two shoots here look alike, and that's the point — this is the work with no client to please but myself.

No metrics on this one. The return was a good evening, a few photos I'm still proud of years later, and a reminder of why I picked up a camera in the first place.

Deliverables

A few dozen frames worth keeping, pulled from years of shoots that were really just an excuse to hang out with friends and make something.

A few dozen frames worth keeping, pulled from years of shoots that were really just an excuse to hang out with friends and make something.

Creative Direction

No brief, no client, no deadline — just me, a friend, and whatever light we could find that day. Some of these were planned for weeks (the motorcycle needed steel wool and a permit-free bridge); some were completely improvised. The one rule was to actually try something, not just point a camera at a pretty face.

PRODUCTION NOTE

People, not poses.

People, not poses.

People, not poses.

The Shoots

A night shoot on a train bridge with a motorcycle and fistfuls of lit steel wool. An afternoon exploring an abandoned, graffiti-covered overlook. A quiet golden-hour session under the trees. A friend wading into a river in a white lace dress at dusk. Different friends, different years, different reasons — but every one of them started with "want to go take some photos?"

Field Notes

These are the shoots I'd do even if no one ever saw them. That's the difference between this page and the rest of the site — everything else here is for a client. This is for me.

FROM THE ARCHIVE

  • Close-up portrait against a graffiti wall

    FRAME 01

  • Smiling portrait in dappled golden-hour forest light

    FRAME 02

  • Close-up portrait with bokeh lights in a golden grass field

    FRAME 03

  • Portrait in a graffiti-covered industrial hallway, headband and statement earrings

    FRAME 04

  • Close-up portrait against a graffiti wall

    FRAME 01

  • Smiling portrait in dappled golden-hour forest light

    FRAME 02

  • Close-up portrait with bokeh lights in a golden grass field

    FRAME 03

  • Portrait in a graffiti-covered industrial hallway, headband and statement earrings

    FRAME 04

Close-up portrait against a graffiti wall

FRAME 01

Smiling portrait in dappled golden-hour forest light

FRAME 02

Close-up portrait with bokeh lights in a golden grass field

FRAME 03

Portrait in a graffiti-covered industrial hallway, headband and statement earrings

FRAME 04

MORE FROM THE ARCHIVE

Close-up portrait at an abandoned overlook, golden side light
Close-up portrait at an abandoned overlook, alternate angle
Portrait seated against a graffiti wall, hands framing face
Portrait seated on a beach at sunset
Silhouetted portrait on a starlit road
Portrait in a tank top, backlit forest
Black-and-white full-body portrait near a foggy river
Close-up portrait with blue eyeshadow against light rock
Portrait on a chain swing, moody low light
Close-up portrait in a white lace top, soft blurred background
Portrait at an abandoned graffiti-covered overlook, wind-blown hair, golden side light
Full-body portrait seated on graffiti-covered concrete steps