Project file

Drone Work Collection

Drone Work Collection

Drone Work Collection

The aerial library from Timberline Visuals — 40-plus frames of mountains, deserts, forests, and backroads shot from above — becomes a supporting collection for Dusty Dog Studio's elevated storytelling lane. Scale and geography, not height for its own sake.

The aerial library from Timberline Visuals — 40-plus frames of mountains, deserts, forests, and backroads shot from above — becomes a supporting collection for Dusty Dog Studio's elevated storytelling lane. Scale and geography, not height for its own sake.

The aerial library from Timberline Visuals — 40-plus frames of mountains, deserts, forests, and backroads shot from above — becomes a supporting collection for Dusty Dog Studio's elevated storytelling lane. Scale and geography, not height for its own sake.

Portfolio collection

Northern Nevada / Sierra

2024-2026

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The story

The aerial library from Timberline Visuals — 40-plus frames of mountains, deserts, forests, and backroads shot from above — becomes a supporting collection for Dusty Dog Studio's elevated storytelling lane. Scale and geography, not height for its own sake.

The aerial library from Timberline Visuals — 40-plus frames of mountains, deserts, forests, and backroads shot from above — becomes a supporting collection for Dusty Dog Studio's elevated storytelling lane. Scale and geography, not height for its own sake.

Aerial work needs purpose: scale, geography, movement, and context, not just height for its own sake.

Aerial photography, motion capture, and visual curation.

A grounded drone portfolio that supports place-based stories, campaigns, and motion pieces.

Deliverables

Aerial stills, wide landscape frames, and motion reference material.

Aerial stills, wide landscape frames, and motion reference material.

Creative Direction

Sometimes the best way to see a place is to rise above it. This collection favors quiet, composed elevated views over flashy sweeping motion — mountains, deserts, forgotten roads, and hidden lakes, shot with the same patience and eye for stillness as the ground-level work.

PRODUCTION NOTE

Scale, geography, movement — never height for its own sake.

Scale, geography, movement — never height for its own sake.

Scale, geography, movement — never height for its own sake.

Aerial Stories

Each frame is built around scale and solitude rather than spectacle — wide open valleys, winding trails, lakes only visible from three hundred feet up. The goal was never "look what a drone can do," it was finding the one composition up there that earns the altitude.

Field Notes

Aerial work changes how you think about a place. A ridgeline that takes an hour to hike becomes one frame — the job is finding the shot that's actually better from up there, not just different.

Back to the work

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